Reading Literary Animals explores the status and representation of animals in literature from the Middle Ages to the present day. Essays by leading scholars in the field examine various figurative, agential, imaginative, ethical, and affective aspects of literary encounters with animality, showing how practices of close reading provoke new ways of thinking about animals and the texts in which they appear. Through investigations of works by Shakespeare, Aphra Behn, William Wordsworth, Charles Dickens, Virginia Woolf, and Ted Hughes, among many others, Reading Literary Animals demonstrates the value of distinctively literary animal studies.

The Cambridge Companion to Literature and Animals surveys the role of animals across literary history and opens conversations on what literature can teach us about more-than-human life. Leading international scholars comprehensively explore how engaging with creatures of various kinds alters our understanding of what it means to write and read, and why this is important for thinking about a series of cultural, ethical, political, and scientific developments and controversies. The first part of the book offers historically rooted arguments about medieval metamorphosis, early modern fleshiness, eighteenth-century imperialism, Romantic sympathy, Victorian racial politics, modernist otherness and contemporary forms. The second part poses questions that cut across periods, concerning habitat and extinction, captivity and spectatorship, race and (post-)coloniality, sexuality and gender, religion and law, health and wealth. In doing so, this companion places animals at the centre of literary studies and literature at the heart of urgent debates in the growing field of animal studies.

From caged orangutans to roasted pig, from dog training to horse phobias, from communicating bees to ruminating cows, Derek Ryan explores how animals are encountered in theoretical discourse. Over the course of an introduction and four thematically organised chapters on 'Animals as Humans', 'Animal Ontology', 'Animal Life' and 'Animal Ethics', he critically engages with a diverse range of ancient, modern and contemporary thinkers including Aristotle, Plutarch, Descartes, Spinoza, Leibniz, Hume, Locke, Nietzsche, Freud, Heidegger, Merleau-Ponty, Lacan, Nagel, Levinas, Deleuze, Derrida, Singer, Regan, Diamond, Adams, Haraway, Nussbaum, Badiou and Braidotti. To supplement the theoretical material, each chapter contains lively close readings of contemporary literary texts by Carter, Coetzee, Auster and Foer. Intended as a resource for researchers, students, teachers and all those interested in human-animal relationships, Animal Theory: A Critical Introduction provides an accessible and authoritative account of the challenges and potential in thinking about and with animals.

Reading Literary Animals explores the status and representation of animals in literature from the Middle Ages to the present day. Essays by leading scholars in the field examine various figurative, agential, imaginative, ethical, and affective aspects of literary encounters with animality, showing how practices of close reading provoke new ways of thinking about animals and the texts in which they appear. Through investigations of works by Shakespeare, Aphra Behn, William Wordsworth, Charles Dickens, Virginia Woolf, and Ted Hughes, among many others, Reading Literary Animals demonstrates the value of distinctively literary animal studies.

Described by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and an intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel.

This book explores Woolf's writing alongside Deleuzian philosophy and new materialist theories of sexuality, animality, and posthuman life. How does Virginia Woolf conceptualise the material world? In what ways has Woolf's modernism affected understandings of materiality, and what new perspectives does she offer contemporary theoretical debates? Derek Ryan demonstrates how materiality is theorised in Woolf's writings by focusing on the connections she makes between culture and nature, embodiment and environment, human and nonhuman, life and matter. Through close readings of texts including To the Lighthouse, Orlando, A Room of One's Own, The Waves, Flush, and 'Sketch of the Past', he details the fresh insights Woolf provides into issues concerning the natural world, sexual difference, sexuality, animality, and life itself. Ryan opens up Woolf studies to new theoretical paradigms by placing Woolf in dialogue with Gilles Deleuze - who cites her modernist aesthetics as exemplary of some of his most important philosophical concepts - as well as eminent contemporary theorists including Rosi Braidotti, Donna Haraway, Karen Barad, and Jane Bennett, all of whom have influenced the recent critical turn towards new materialisms. Locating theory within Woolf's writing as well as locating Woolf within theory, Virginia Woolf and the Materiality of Theory: Sex, Animal, Life brings her modernism firmly into to the foreground of current debates in literary studies, feminist philosophy, queer theory, animal studies and posthumanities.

The Cambridge Companion to Literature and Animals surveys the role of animals across literary history and opens conversations on what literature can teach us about more-than-human life. Leading international scholars comprehensively explore how engaging with creatures of various kinds alters our understanding of what it means to write and read, and why this is important for thinking about a series of cultural, ethical, political, and scientific developments and controversies. The first part of the book offers historically rooted arguments about medieval metamorphosis, early modern fleshiness, eighteenth-century imperialism, Romantic sympathy, Victorian racial politics, modernist otherness and contemporary forms. The second part poses questions that cut across periods, concerning habitat and extinction, captivity and spectatorship, race and (post-)coloniality, sexuality and gender, religion and law, health and wealth. In doing so, this companion places animals at the centre of literary studies and literature at the heart of urgent debates in the growing field of animal studies.

The Handbook to the Bloomsbury Group is the most comprehensive available survey of contemporary scholarship on the Bloomsbury Group - the set of influential writers, artists and thinkers whose members included Virginia Woolf, Leonard Woolf, E.M. Forster, John Maynard Keynes, Vanessa Bell, Clive Bell, Duncan Grant and David Garnett. With chapters written by world leading scholars in the field, the book explores novel avenues of thinking about these pivotal figures and how their works are opened up by the new modernist studies. It brings together overview essays with detailed illustrative case studies, and covers topics as diverse as feminism, sexuality, empire, philosophy, class, nature and the arts. Setting the agenda for future study of Bloomsbury, this is an essential resource for scholars of 20th-century modernist culture.

The Handbook to the Bloomsbury Group is the most comprehensive available survey of contemporary scholarship on the Bloomsbury Group - the set of influential writers, artists and thinkers whose members included Virginia Woolf, Leonard Woolf, E.M. Forster, John Maynard Keynes, Vanessa Bell, Clive Bell, Duncan Grant and David Garnett. With chapters written by world leading scholars in the field, the book explores novel avenues of thinking about these pivotal figures and their works opened up by the new modernist studies. It brings together overview essays with detailed illustrative case studies, and covers topics as diverse as feminism, sexuality, empire, philosophy, class, nature and the arts. Setting the agenda for future study of Bloomsbury, this is an essential resource for scholars of 20th-century modernist culture.

Bloomsbury, Beasts and British Modernist Literature reveals how the Bloomsbury group's fascination with beasts - from pests to pets, tiny insects to big game - became an integral part of their critique of modernity and conceptualisation of more-than-human worlds. Through a series of close readings, it argues that for Leonard Woolf, David Garnett, Virginia Woolf and E. M. Forster, profound shifts in interspecies relations were intimately connected to questions of imperialism, race, gender, sexuality and technology. Whether in their hunting narratives, zoo fictions, canine biographies or (un)entomological aesthetics, these writers repeatedly test the boundaries between, and imagine transformations of, human and nonhuman by insisting that we attend to the material contexts in which they meet. In demonstrating this, the book enrichens our understanding of British modernism while intervening in debates on the cultural significance of animality from the turn of the twentieth century to the Second World War.

Explores modernist aesthetics and cultural exchange between Britain, France and beyond